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The Odeon Pops label, indended for popular releases, was very popular in Argentina. Singles in the DTOA series continued at least through 1971. Beatles single releases that originally featured the Odeon Pops label encompass most of their career (through "Hey Jude"). In 1963, when the Beatles were introduced to Argentina, they were marketed on singles as "Los Grillos." While it's probably the case that Argentine Odeon was attempting to translate the word "beetles," "grillos" actually translates better as "crickets"! Later releases would leave "Beatles" untranslated.
| Singles originally released on this label style | Catalog Number | Value in NM Condition |
| "From Me to You"/"Thank You Girl" | DTOA 3135 | $500 |
As Beatles became popular in Argentina in 1963, some 78 players were still available, but only selected singles would be issued as promotional 78's. Therefore, the only Beatles single known to have been released on the yellow and green promotional 78 label in Argentina is "Twist and Shout."
| Single originally released on this label style | Catalog Number | Value in NM Condition |
| "Twist and Shout"/"I Saw Her Standing There" | 75202 | $1200 |
NOTE: The conventional single release of "Twist and Shout" appears in the listings below, as DTOA 3197.
The Odeon Pops label, indended for popular releases, was very popular in Argentina. Singles in the DTOA series continued at least through 1971. Beatles single releases that originally featured the Odeon Pops label encompass most of their career (through "Hey Jude"). Early promotional singles -- at least those in the 3000 series -- had red labels; later promotional singles had turquoise-colored labels.
| Singles originally released on this label style | Catalog Number | Value in NM Condition |
| "Please Please Me"/"Love Me Do" | DTOA 3169 | $50 |
| "She Loves You"/"I'll Get You" | DTOA 3185 | $35 |
| "I Want to Hold Your Hand"/"This Boy" | DTOA 3186 | $35 |
| "Twist and Shout"/"I Saw Her Standing There" | DTOA 3197 | $35 |
| picture sleeve to the above single | DTOA 3197 | $50 |
| "Do You Want to Know a Secret?"/"There's a Place" | DTOA 32** | $50 |
| "All My Loving"/"Please Mister Postman" | DTOA 3217 | $50 |
| "Roll Over Beethoven"/"Devil In Her Heart" | DTOA 3218 | $50 |
| "Can't Buy Me Love"/"You Can't Do That" | DTOA 3220 | $30 |
| "Boys"/"Money" | DTOA 3249 | $30 |
| "A Hard Day's Night"/"Long Tall Sally" | DTOA 3274 | $30 |
| "I Feel Fine"/"She's a Woman" | DTOA 3279 | $25 |
| "Eight Days a Week"/"Rock and Roll Music" | DTOA 8021 | $25 |
| "Honey Don't"/"I'll Follow the Sun" | DTOA 8028 | $30 |
| "Ticket to Ride"/"Yes It Is" | DTOA 8043 | $25 |
| "Help!" (translated as "Ayudame")/"I'm Down" | DTOA 8072 | $25 |
| "Help!" (translated as "Socorro")/"I'm Down" | DTOA 8072 | $25 |
| picture sleeve to the above single | DTOA 8072 | $30 |
| "We Can Work It Out"/"Day Tripper" | DTOA 8137 | $25 |
| "Nowhere Man"/"Michelle" | DTOA 8162 | $30 |
| title sleeve to the above single | DTOA 8162 | $30 |
| "Paperback Writer"/"Rain" | DTOA 8191 | $30 |
| title sleeve to the above single | DTOA 8191 | $30 |
| "Yellow Submarine"/"Eleanor Rigby" | DTOA 8218 | $25 |
| picture sleeve to the above single | DTOA 8218 | $25 |
| "Penny Lane"/"Strawberry Fields Forever" | DTOA 8260 | $25 |
| "All You Need Is Love"/"Baby, You're a Rich Man" | DTOA 8312 | $25 |
| "Hello Goodbye"/"I am the Walrus" | DTOA 8364 | $25 |
| "Lady Madonna"/"The Inner Light" | DTOA 8389 | $25 |
| picture sleeve to the above single | DTOA 8389 | $25 |
| "Hey Jude"/"Revolution" | DTOA 8427 | $20 |
As the rest of the world switched to the Apple label, Odeon of Argentina followed suit. All Beatles singles from 1969 through their breakup were released on Apple, and many solo singles were also released on Apple in Argentina. All early Apple singles featured a dark apple with "ODEON" at the left. Later reissues, usually with different catalog numbers, feature light green labels or white labels.
| Singles originally released on this label style | Catalog Number | Value in NM Condition |
| "Obladi Oblada"/"While My Guitar Gently Weeps" | DTOA 8475 | $30 |
| "Get Back"/"Don't Let Me Down" | DTOA 8483 | $25 |
| "Ballad of John and Yoko"/"Old Brown Shoe" | DTOA 8486 | $20 |
| "Come Together"/"Something" | DTOA 8539 | $25 |
| "Let It Be"/"You Know My Name" | DTOA 8556 | $20 |
| "Long and Winding Road"/"For You Blue" | DTOA 8617 | $20 |
NOTE: The dark Apple label continued at least through 1971, after which time the DTOA series concluded.
As the Beatles were becoming the hottest act around, Polydor Records of Argentina issued the "My Bonnie" single on the orange scroll label.
| Singles originally released on this label style | Catalog Number | Value in NM Condition |
| "My Bonnie"/"The Saints" | 25-048 | $75 |
The condition of a record is all-important as to determining its value. The values shown are drastically reduced for lesser condition copies, as shown below:
Near Mint, or NM, condition records are unscratched. If the label has stickers or tape, this must be noted. Essentially, they look like they just came from the store.
Very Good Plus, or VG+, condition records will have very few scratches. Without close inspection, they might pass for Near Mint copies. A VG+ record normally sells for half what a NM copy goes for.
Very Good, or VG, condition records have a fair amount of scratches, but they by no means appear "beat up". A VG condition record normally sells for one fourth of the NM price.
Very Good Minus, or VG-, condition records are starting to appear quite scratched. Still, when played, they play through, although the surface noise is becoming distracting. Many singles are commonly found in this condition. A VG- condition record normally sells for one sixth of the NM price.
Good, or G, condition records look scratched--basically all over, but they'll play through well enough to enjoy the song. A G condition record sells for one tenth of the NM price. [Some dealers also use a grade of G+, which sells for one eighth of the NM price.]
Fair, or fr, condition records are generally worthless unless the record is rare. They're scratched up and have distracting surface noise, but they're not completely ruined. No chips missing, and not cracked. They sell for one twentieth of the NM price or less.
Poor, or pr, condition records are basically ruined. They may be warped, cracked, chipped, or otherwise unsuitable for collecting. Most collectors only accept poor condition copies of something really rare until a better one comes along. They're virtually worthless.