|
|
Norway's history of production of Beatles records is quite interesting. Until after mid-1964, Norway did not produce their own Beatles LP's. Instead, copies were imported from England, Germany, the United States, and sometimes other countries, in order to meet the need of Norwegian Beatles fans. Even when Norway began to produce their own LP's, they were pressed sparsely. Consequently, not every Beatles album was available on a "domestic" Norwegian pressing, and all Norwegian Beatles' LP's are hard to find by American standards.
The first label on which Beatles LP's were available in Norway has both "Parlophone" and "Odeon" in 3D lettering against a purple background.
The albums which were originally issued on the purple label are:
| Catalog Number | Title | Value |
| PMCO 1230 (mono) | Hard Day's Night (with Sweden-made cover) | $400 |
| PMCO 1240 (mono) | Beatles For Sale (with UK-made cover) | $350 |
In 1965, Norwegian Parlophone made the decision to change the label style to resemble the "gold label" that had been used in England. Stereo LP's were also made available for the first time.
Those album which was originally issued on this label style was as follows:
| Catalog Number | Title | Value |
| PMC 1255 | Help! (mono, UK-made cover) | $300 |
| PCS 3071 | Help! (stereo, UK-made cover) | $400 |
Later in 1965, Norwegian Parlophone opted to change the print color from gold to silver. The Help! album was reissued onto the new style, and two new LP's were released with this label.
| PMC 1267 | Rubber Soul (mono, UK-made cover) | $250 |
| PMC 7009 | Revolver (mono, UK-made cover) | $350 |
| PCSO 7009 | Revolver (stereo, UK-made cover) | $300 |
NOTE: According to my sources, no stereo copies of Rubber Soul are known to have been manufactured in Norway. Instead, it is thought probable that stereo copies were imported from Denmark.
By 1967, most Parlophone affiliates were adopting label styles similar to those used in England. At this time, Norwegian Parlophone changed their label to more closely resemble the "black and yellow" label that was being used in the UK and the similar-looking label that was available in Denmark and elsewhere.
| PCS 7027 | Sgt. Pepper's Lonely Hearts Club Band (stereo, UK-made or German-made cover) | $250 |
NOTE: In 1971, a Norwegian release of the German/Dutch LP, Beatles Greatest (Parlophone OHMS-3001) was issued in Norway on the "flat print" Parlophone label.
In 1968, all new Beatles releases switched to the Apple label, but Norway was content to import their early LP's from England, especially given the trademark issues surrounding the use of the Apple logo. By the time of Abbey Road, these issues were resolved; consequently, the remaining Beatles albums were released on the Apple label.
| PCS 7088 | Abbey Road (UK-made cover) | $40 |
| PXS-1 | Let It Be (boxed, UK-made cover and book) | $600 |
| PCS 7096 | Let It Be (regular, UK-made cover) | $50 |
The condition of a record is all-important as to determining its value. The values shown are drastically reduced for lesser condition copies, as shown below:
Near Mint, or NM, condition records are unscratched. If the label has stickers or tape, this must be noted. Essentially, they look like they just came from the store.
Very Good Plus, or VG+, condition records will have very few scratches. Without close inspection, they might pass for Near Mint copies. A VG+ record normally sells for half what a NM copy goes for. In Europe, this condition is called Excellent, EX.
Very Good, or VG, condition records have a fair amount of scratches, but they by no means appear "beat up". A VG condition record normally sells for one fourth of the NM price. In Europe, this condition is called VG+.
Very Good Minus, or VG-, condition records are starting to appear quite scratched. Still, when played, they play through, although the surface noise is becoming distracting. Many singles are commonly found in this condition. A VG- condition record normally sells for one sixth of the NM price. In Europe, this condition is called VG.
Good, or G, condition records look scratched--basically all over, but they'll play through well enough to enjoy the song. A G condition record sells for one tenth of the NM price. [Some dealers also use a grade of G+, which sells for one eighth of the NM price.]
Fair, or fr, condition records are generally worthless unless the record is rare. They're scratched up and have distracting surface noise, but they're not completely ruined. No chips missing, and not cracked. They sell for one twentieth of the NM price or less.
Poor, or pr, condition records are basically ruined. They may be warped, cracked, chipped, or otherwise unsuitable for collecting. Most collectors only accept poor condition copies of something really rare until a better one comes along. They're virtually worthless.